According to his publisher Promethean Editions, a new work by John Psathas is an individual, unique entity, and his music is like that of no one else. His ‘sound’ is difficult to define – the harmony and improvisational feel of jazz, the compelling rhythmic drive and excitement of rock music and the sustained repetitive textures of minimalism are apparent as influences, yet they combine and intermingle with something else more intangible. This undefinable quality is partly what makes his one of the most original voices in the arena of contemporary classical music in New Zealand.

“When I write music, it’s not a sense of inventing I experience, as much as it is a sense of finding something that exists at the remote periphery of what I know. It is like seeing things – that aren’t really there – in the corner of one’s eye, but not spinning around to view them, because then they would simply cease to be. It is a case of being aware of a thing in one’s peripheral vision and, while staring straight ahead, trying to decipher, without looking at it, the true nature of what it is. What one is finding is exactly the right thing for any given moment in a musical work.”

In 2007, Psathas’ album, View from Olympus, won the Best Classical Album award in the New Zealand Music Awards.

In 2004 Psathas achieved the largest audience for New Zealand-composed music when billions heard his fanfares and other music at the opening and closing ceremonies of the Athens Olympics. This high-profile work was recognised in New Zealand’s New Year Honours by his appointment as an Officer of the New Zealand Order of Merit. Additionally, his Piano Concerto, premiered by the New Zealand Symphony Orchestra and soloist Stephen Gosling, was awarded the SOUNZ Contemporary Award for excellence in composition.

In 2003 a new CD of chamber works, Fragments, was released to critical acclaim and went on to win the Tui Award for Best Classical Recording at the New Zealand Music Awards. He was also named as the recipient of one of five Arts Foundation of New Zealand Artist Laureate Awards, which carry cash prizes of $40,000.

Highlights in 2002 included the premieres of several major works, including View From Olympus a double concerto for piano, percussion and orchestra performed by Evelyn Glennie, Philip Smith and the Halle Orchestra conducted by Mark Elder at the Royal Gala finale of the Commonwealth Games ‘Pulse’ music festival in Manchester, UK. This work was awarded New Zealand’s major annual composition award for 2002, the SOUNZ Contemporary Award.

A highlight of 2000 was the premiere of the Omnifenix at an outdoor concert before an audience of 8000 people at the 2 Agosto Festival in Bologna, Italy. This work was tailored to the particular improvising talents of tenor saxophonist Michael Brecker.

A retrospective concert of Psathas’ chamber music was given in the 2000 New Zealand International Festival of the Arts, culminating with the premiere of the specially commissioned Piano Quintet. In the programme to the concert, he described the process of creating his music:

Early success came with Matre’s Dance in 1991, a maximum-energy duet for percussion and piano that has since made Psathas’ name international through having been taken up and championed by percussionist Evelyn Glennie. This work and Drum Dances are fast becoming standard repertoire for percussionists throughout the world.

John Psathas, ONZM (born 1966) is a New Zealand composer.