Who is Philip Clemo? Wiki, Biography, Age, Spouse, Net Worth

With contributions from 21 musicians including Arve Henriksen (trumpet), Evi Vine (voice), Byron Wallen (trumpet, flugelhorn), Oren Marshall (tuba), Thomas Bloch (glass harmonica, Ondes Martenot), Emily Burridge and Peter Gregson (cellos), Dream Maps was released on 9 September 2016 with a live launch with an 8-piece band including Arve Henriksen and Evi Vine at Kings Place, London, UK on 14 September. The concert was described by Richard Williams on thebluemoment.com as “Artfully mixed together with recordings of heartbeats and water by the sound engineer Phill Brown, the music washed gently but insistently over the clearly beguiled near-capacity crowd in Kings Place’s Hall 2… this was Clemo’s first live gig in 10 years; its success should encourage him.”

Philip Clemo discussed the making of Dream Maps on the BBC Radio 3 programme Jazz Now on 24 October 2016.

Since 2016, Clemo has been performing with his Dream Maps Live band, working with a diverse group of musicians including Arve Henriksen (trumpet), Byron Wallen (trumpet, flugelhron), B. J. Cole (pedal steel), Evi Vine (voice), Simon Edwards (bass), Martyn Barker (drums, percussion), Emily Burridge (cello) and Steven Hill (guitar & keys).

Clemo’s first two albums were collaborative works with violinist Ysanne Spevack, aka Mee. The pair shared the composition credits, but used Clemo’s multi-layered approach to creation and composition. Sound – Inhale the Colours was created in 1996/7 largely in Sydney, Australia, featuring contributions from an additional eleven musicians. Well reviewed by critics on release, it remained a question for them as to whether it was jazz, ambient electronica or World music.

Up to this point, one of Clemo’s key instruments of choice to compose with was the guitar. But having become quite bored with what he was playing on it, he moved for his next album to the piano. For a year he created improvisations, charting a deeply personal journey through significant life experiences and environments. These were then given to pianist Kevin Pollard to interpret and expand, with Clemo then adding additional guitar pieces to shape the compositions. With the basic structure laid out, he then invited 14 additional musicians – one at a time – to “blindly” add their response on top, including: Oren Marshall (tuba); B. J. Cole (pedal steel guitar); Byron Wallen (trumpet and flugelhorn); Emily Burridge (cello); with Thomas Bloch (Radiohead, Damon Albarn) contributing ethereal tones on three instruments (glass harmonica, crystal baschet and ondes martenot). Clemo then heavily edited and shaped their contributions. The album was the first on which Clemo added his own voice, using multi-layering to create harmonies. He finally added additional recorded sounds from places which have great significance to him, including: the river and woods at the end of his childhood garden; his first school; Aberdeen railway station; Redwood National Park in northern California; and Plum Village Zen Buddhist monastery in France. As with The Rooms, most of the sessions were recorded by Phill Brown, who Clemo sees as crucial in both building powerful creative environments, and capturing a high level of sonic detail in the sessions. The end result, Mesmer, was well reviewed by both the music and mainstream press, described as a form of contemporary chamber music with “improvisation, multi-level musical dialogue and sound design at its core.”

Since late 2013, Clemo has been working on The Breath Project [1], encompassing a feature film and art installation produced by perfectmotion and Animal Monday. Breath illustrates the dramas of human life through the metaphor of landscape, from isolation and turmoil to exhilaration and transformation. Moving through the seven phases of human life, through ageing human forms and across different terrains of the human body, we see comparisons with the environments of planet Earth.

In October 2008, Clemo released his fourth album The Rooms. A musical progression through different sound “rooms” or “spaces”, it featured 22 musicians including: Clive Bell; Theo Travis (saxophone and flute); Simon Hopkins (electric guitar); B.J Cole (pedal steel); Henry Lowther (trumpet and flugelhorn); and a Prague string quartet. Clemo credited legendary sound engineer Phill Brown, who has worked with Jimi Hendrix and Bob Marley among others, for his invaluable contribution to the recording process of The Rooms. The album was critically acclaimed, and reviewed as floating somewhere between jazz, rock and soundtrack, with critics describing it as intelligent “fourth world” electro-jazz.

One of his early films was From The Morning On, a travelogue based on a day in the Indian sub-continent. He has since travelled extensively throughout South East Asia and Australasia, with both film camera and sound recording equipment. Having used video projections of his film work extensively in his live musical performances, he filmed his first major project, The Air Holds Still on My Breath in Iceland in summer 2008. Shown at Cannes Short Film Corner in 2009, the film, a series of abstract “mood paintings” mapping the “Seven Ages of Man”, features music from The Rooms. It was shot using specialist camera technology to capture extreme slow motion details of geothermal activity and waterfalls, and from the air using a gyro-stabilised camera mounted on a helicopter. Shot using the same technical combination as The Air, Clemo made the short film Melt, which was shown at 2009 Reykjavik International Film Festival 2009 and 2010 London Short Film Festival.

During the same year, he became a judge for the first time at the British Composer Awards for the British Academy of Songwriters, Composers and Authors, which he has since undertaken again in 2005, 2006, 2010 and 2011.

Clemo’s third album Ambiguous Dialogues, the first under his own name, was released in 2004 on Metier Jazz. Featuring 12 musicians, as well as the British rhythm section it involved contributions from Clive Bell (reeds), and Tom Chant (soprano saxophone and bass clarinet). Clemo toured the work post the album’s release, which was well reviewed and received.

A second collaborative album Soundzero was completed in 1999, but only released in March 2008. Both albums featured, amongst others, Phil Slater on trumpet and Tarlochan (Bobby) Singh on tabla. On Soundzero, Jazz singer Cleveland Watkiss, often heavily processed, made a guest appearance; whilst the album was also the first appearance of a British rhythm section, consisting of: Mark Sanders (drums); John Edwards (double bass); and Pete Lockett (percussion).

Having started out professionally as a production film editor, including working on the BBC’s Panorama, since 1989 Clemo has made a series of short films which have been shown at festivals around the world.

Moving to London in 1982, influenced by the works of Robin Guthrie of The Cocteau Twins and Tom Verlaine of Television, Clemo moved into multitrack recording. Now living in Hackney, East London, he put together a short-lived experimental music band Box in the Sun, but left to explore his musical freedom. Inspired by the works of David Sylvian of Japan, the Cocteau Twins, late-period Talk Talk, Television and Brian Eno, he was also influenced by diverse engagement across artists from Debussy, Arvo Pärt, David Toop, Gavin Bryars, Holger Czukay and Steve Reich to Patti Smith.

Philip James Clemo was born on 3 August 1964 in Insch, Aberdeenshire, Scotland.